| Philanthropic
project produces homeless work of art in shadow of 9-11
- Painting includes Pre-9/11 NY skyline with Twin Towers
ROSWELL,
NM (August, 2002) One horse from the Trail of Painted
Ponies has ended up where its proceeds were supposed
to be: at the non-profit organization that sponsors
hoped to benefit. 'Jazz on a Hot Tin Roof' as the seven
foot tall sculpture is named, has traveled from Roswell,
NM to Dallas, TX looking for an owner, and ended up
back at Roswell's Assurance home, a residence for abused
and neglected kids.
Internationally
renowned artist Kim Wiggins painted Jazz in 2001 as
part of The Trail of Painted Ponies, a project begun
by a group called HorsePower that says it offers charities,
philanthropic institutions and not for profits an innovative
and entrepreneurial way to raise new funds. Modeled
on the Chicago Cow Program, ponies symbolic of the Southwest
free spirit would be painted by local artists and with
local themes then auctioned off, with most of the proceeds
going to benefit the charities chosen by pony sponsors.
Assurance Home Executive Director Ron Malone sought
out Wiggins, as well as the sponsors needed to purchase
the $5,000 pony mold, as a way of raising money for
the home and its kids.
Wiggins,
who has been commissioned for such projects as a mural
at Los Angeles Sports Arena, The Staples Center, designed
his pony with an eclectic blend of Southwest country
and American urbanism. Jazz features a New Mexico landscape
on one flank and a New York skyline complete with the
Twin Towers on the other. When the ponies debuted in
an opening reception at the Albuquerque Airport, viewers
voted Jazz their favorite.
Ironically,
the September 11 destruction of the Twin Towers by terrorists
and the ensuing economic downturn hampered the auction,
which had been scheduled for November of 2001. Many
ponies were left unsold and some, including Jazz, ended
up back in the control of their individual sponsors.
Malone and
his staff transported the pony to displays around New
Mexico and Texas trying to find him an owner. But the
small New Mexican non-profit lacked the resources to
effectively market to corporations and foundations,
and the art-work was eventually brought back to the
Assurance Home. Like the HomeÍs other residents, a homeless
but well cared for Jazz remains there today, awaiting
his chance to fulfill his potential and live up to the
promise in which he was conceived.
The Assurance
Home is a private non-profit organization that has served
over 1000 children in its 23 years of operation by welcoming
abused and neglected children, 14 at a time, into a
beautiful home-like atmosphere in order to have a lasting
impact on their lives. The Assurance Home is supported
by a concerned community of caring people from across
the country, who affirm that its mission of creating
positive change in the lives of troubled youth through
compassion, respect, opportunity and example is on target
and somewhat rare. |